Well it looks like people are digging watching me rip a storyboard to shreds before their very eyes.
I mean, can you blame them?
If you look back at the previous post, you will find his original storyboards and my critique of the first half of them. All in their red-scribbled glory.
I now bring you the conclusion of said critique in more red-scribbled glory.
(Click on the images to enlarge and get a better look.)
But from here to the end, I think could use more story help. Nothing really ‘interesting’ happens from here to the end. Shots of someone just walking (while this should be an exciting break-out) just aren’t that fun to watch.
Then the others just casually walk out of the cells. Hmm. Then it ends with what looks like a line of dialogue that isn’t included. If there is supposed to be some, add it (unless you were going to in the final version). It would be better if dialogue wasn’t needed though.
Since it’s a portfolio piece, I would play with this section some more. Can you add more obstacles for Skapula? Lasers in the room? More tricks out of his bag? Can you use more action and suspense for the final break out? Some kind of ‘time is running out’ kind of thing?
Maybe other guards are on the way. An alarm could go off after he smashes the panel with the hammer. Then through a series of short, inventive (or funny) events, he gets his buddies out in the nick of time.
This will be much more fun to look at in a portfolio. And show off your skills a bit more.
All in all, great draftsmanship with fun characters and a good grasp of visual storytelling. You just need to bring it more to “we’re making a real cartoon here” to take it further away from “comic-land”.
As I tell everyone who get a critique from me, it’s still your choice what to change and what to keep. These are just my professional and personal opinions.
(But of course, I’m right. *ahem*)
Pump up the ending a bit and you’ll have a solid piece to show off your great skills.
The pummeling ends here. : )
This was really fun! (Well, fun for me because I wasn’t the one being pummeled.)
I hope to do more of these ‘public critiques’ because it’s a great way for others to learn, it gives some exposure to the artists and I get easy content. It’s a win-win-win I’d say.
And good news.
Aidan has already revised this storyboard. I’ll post that up next week so we can all take a look and see what he changed and where he said, “Uh uh…I don’t think so!” to my feedback.
Thanks again to Aidan for being such a good sport.
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